| • Persönliche Informationen |
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| Nickname: |
AmeeWaltman |
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offline |
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| Name: |
Johnny Chisolm |
| Geschlecht: |
weiblich |
| Alter: |
28.10.1989 (35 Jahre) |
| Ort: |
 Sant'angelo Di Mercato San Severino |
| Registriert seit: |
10.10.2014 - 18:07 |
| Letzte Anmeldung: |
10.10.2014 - 18:10 |
| • Über mich |
|
ForABY is a Plot is what the character(s) did, said, and thought.
It is the Action Proper given unity by the Enveloping Action, the
Universal Action, the Archetypal Action. As Aristotle said,
What gives a story unity is not as the masses believe that it
is about one person but that it is about one action. Plot, or storyline, is often listed as one of the fundamental elements of
fiction. It is the rendering and ordering of the events and actions of a story.
On a micro level, plot consists of action and reaction, also referred to as stimulus visit facebook and response.
On a macro level, plot has a beginning, a middle, and an ending.
Plot is often depicted as an arc with a zig-zag line to
represent the rise and fall of action. Plot also has a mid-level structure: scene and summary.
There are five widely cited types of conflict. Many other types of conflict such
as Person vs. God are generally thought to fall
into one of these categories. In many ancient cultures Person vs.
Fate would often constitute the conflict of the story.
In modern times, Person vs. Machine, also known as Person vs.
Technology, has become another one.
Person vs. Self is the theme in literature that places a character against
their own will, confusion, or fears. Person vs. Self can also be where a character tries to find out who they are or comes to a realization or a change in character.
Although the struggle is internal, the character can be influenced by external forces.
The struggle of the human being to come to a decision is the basis of Person vs.
Self. Examples include the titular character of Beowulf.
More recently, the Academy Award winning movie A Beautiful Mind has been posited as an application of
Person vs. Self. Faulkner in his Nobel Prize acceptance
speech noted that the great stories are those of the human heart in conflict with
itself. With that in mind the other conflicts enumerated
here can fade into the background as part of the setting rather than the conflict-in-itself of any given story.
A simple, ready example may be Jack London's "To Build a Fire"
wherein we can see that the conflict is
not Man vs. Nature but Man vs. His Own Nature.
Person vs. Person is a theme in literature in which the main character's conflict with another person is the focus of the story.
An example is the hero's conflicts with the central
villain of a work, which may play a large role
in the plot and contribute to the development of both characters.
There are usually several confrontations before the climax is
reached. The conflict is external. An example is
the conflict between Judah and Messala in Ben-Hur, as would be the conflict between a bully and his victim.
Person vs. Society is a theme in fiction in which a main character's, or group
of main characters', main source of conflict is social traditions or concepts.
In this sense, the two parties are: a) the protagonist(s); b) the society of which the protagonist(s) are included.
Society itself is often looked at as a single character, just as an opposing
party would be looked at in a Person vs. Person conflict.
This can also be one protagonist against a group or society
of antagonists or society led by some antagonistic force.
Examples in literature would include the short story "The Ones that Walk away from Omelas" by Ursula K.
Le Guin or the novel Wuthering Heights by Emily Brontë.
Person vs. Nature is the theme in literature that places a character
against forces of nature. Many disaster films focus on this theme, which is predominant within many
survival stories. It is also strong in stories
about struggling for survival in remote locales,
such as Gary Paulson's Hatchet or Jack London's short story "To Build a Fire".
Person vs. Supernatural is a theme in literature that places a character
against supernatural forces. When an entity is in conflict with him-, her-, or itself,
the conflict is categorized as internal, otherwise, it is external.
Such stories are often seen in Freudian Criticism as representations of id vs.
superego. Bram Stoker's Dracula is a good example of this,
as well as Frankenstein by Mary Shelley and Christabel
by Samuel Coleridge. It is also very common in comic books. |
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